{"id":169,"date":"2024-07-16T19:14:00","date_gmt":"2024-07-16T23:14:00","guid":{"rendered":"http:\/\/storyboothmedia.com\/?p=169"},"modified":"2024-07-17T14:59:19","modified_gmt":"2024-07-17T18:59:19","slug":"story-booth-media-is-home-to-filmmaker-karen-cho","status":"publish","type":"post","link":"http:\/\/storyboothmedia.com\/?p=169","title":{"rendered":"Story Booth Media is home to filmmaker Karen Cho"},"content":{"rendered":"<div class=\"post-content\"><p>Karen Cho \u66f9\u5609\u4f26 is a Documentary Writer, Director and Producer known for her social justice films. Her work has explored subjects like the Chinese Head Tax &amp; Exclusion Act, refugees, artist-activists, 5G technology &amp; women\u2019s rights. Karen\u2019s latest film, <strong><em>Big Fight in Little Chinatown<\/em><\/strong>, is the story of community resistance &amp; resilience in the struggle to save Chinatowns across North America. The film premiered at Doc NYC, opened the 2023 DOXA Film fest and won RIDM\u2019s 2022 Prix Du Public. With decades of experience in the Film &amp; television industry, Karen also works as a Writer, Director, Story Producer, Story Editor &amp; Creative Consultant on TV and web series for CBC, Discovery, History, TVOntario, Knowledge Network, Viceland, Amazon Prime, APTN etc.<\/p>\n<p><em><strong>FILMOGRAPHY:<\/strong><\/em><\/p>\n<p><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica; font-weight: normal;\">Currently<\/span><\/i><\/strong><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica;\"> \u2013 Shifting Horizons <\/span><\/i><\/strong><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica; font-weight: normal;\">TELUS (<\/span><\/i><\/strong><span style=\"font-size: 10.0pt; font-family: Helvetica;\">Writer \/ Director)<\/span><\/p>\n<p><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica; font-weight: normal;\">Currently<\/span><\/i><\/strong><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica;\"> \u2013 Prophet of Ecstasy <\/span><\/i><\/strong><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica; font-weight: normal;\">Doc Channel (Co<\/span><\/i><\/strong><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica;\">&#8211;<\/span><\/i><\/strong><span style=\"font-size: 10.0pt; font-family: Helvetica;\">Writer \/ Co-Director) <\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2022 \u2013 <b>Big Fight in Little Chinatown<\/b> TV Ontario \/ SRC (Writer\/ Director \/ Impact Producer)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2022 \u2013 <b>Meanwhile in the Kitchen \/ Pendent ce temps en cuisine<\/b> Amazon Prime (Series Director)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2022 \u2013 <b>Verizon Innovative Learning 10<sup>th<\/sup> Anniversary Shorts<\/b> (Producer)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2021 \u2013 <b>The Big Sex Talk<\/b> CBC (Series Director)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2020 \u2013 <b>Speed of Through<\/b> Amazon Prime (Producer \/ Co-Writer)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2018 \u2013 <b>The Detectives<\/b> (Season 2) CBC (Story Editor)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2018 \u2013 <b>Art is my Country<\/b> CBC Arts (Story Editor \/ Director)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2017 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Interrupt This Program (Season 2 &amp; 3),\u00a0<\/span><\/i><\/strong>CBC<em><span style=\"font-family: Helvetica;\">\u00a0(Story Producer \/ Series Director)<\/span><\/em><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2017 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">We Are Canada,\u00a0<\/span><\/i><\/strong>CBC<em><span style=\"font-family: Helvetica;\">\u00a0(Series Director)<\/span><\/em><\/span><\/p>\n<p><em><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2015-2016 &#8211;\u00a0<\/span><\/em><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica;\">Vice Guide To Film,\u00a0<\/span><\/i><\/strong><em><span style=\"font-size: 10.0pt; font-family: Helvetica;\">Viceland\u00a0(Story Producer \/ Writer \/ Field Director)<\/span><\/em><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2015 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Working It Out Together<\/span><\/i><\/strong>, APTN (Story Producer \/ Creative Consultant)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2008\/2010\/2015 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Extraordinary Canadians (Seasons 1,2,3)<\/span><\/i><\/strong>\u00a0CBC, OMNI, Biography, City TV (Series Director)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2014 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Things Left Unsaid &#8211; family Secrets<\/span><\/i><\/strong>\u00a0(Writer \/ Director \/ Producer)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2014 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Restoration Garage,\u00a0<\/span><\/i><\/strong>History<em><span style=\"font-family: Helvetica;\">\u00a0(Writer\/Story Editor)\u00a0<\/span><\/em><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2013 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Yukon Gold (Season 2)<\/span><\/i><\/strong>, History\u00a0<em><span style=\"font-family: Helvetica;\">(Story Editor \/ Creative Consultant)\u00a0<\/span><\/em><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2013 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Dangerous Flights (Season 2)<\/span><\/i><\/strong>, Discovery\u00a0<em><span style=\"font-family: Helvetica;\">(Writer\/Story Editor)\u00a0<\/span><\/em><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2012 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Status Quo? The Unfinished Business of Feminism in<\/span><\/i><\/strong><em><span style=\"font-family: Helvetica;\">\u00a0<\/span><\/em><strong><i><span style=\"font-family: Helvetica;\">Canada<\/span><\/i><\/strong>, NFB\u00a0<em><span style=\"font-family: Helvetica;\">(Writer\/Director)<\/span><\/em><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2012 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Licence to Drill (Season 3)<\/span><\/i><\/strong>, Discovery\u00a0<em><span style=\"font-family: Helvetica;\">(Writer\/Story Editor)\u00a0<\/span><\/em><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2012 &#8211;\u00a0<em><b><span style=\"font-family: Helvetica;\">The Beat (Season 2)<\/span><\/b><\/em>, OLN, City TV\u00a0<em><span style=\"font-family: Helvetica;\">(Story Editor \/ Creative Consultant)\u00a0<\/span><\/em><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2010 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">All for One with Debbie Travis,<\/span><\/i><\/strong><em><span style=\"font-family: Helvetica;\">\u00a0<\/span><\/em>CBC (2nd unit Series Director \/ Story Editor)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2009 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Seeking Refuge (Terre d&#8217;asile)<\/span><\/i><\/strong>, SRC, RDI, CBC (Writer\/Director)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2005 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Past Lives<\/span><\/i><\/strong>, Global (Series Director)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2004 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">In the Shadow of Gold Mountain<\/span><\/i><\/strong>, CBC, Knowledge (Writer\/Director)<\/span><\/p>\n<p><strong><i><span style=\"font-size: 10.0pt; font-family: Helvetica;\">AWARDS:<\/span><\/i><\/strong><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2024- <b>legendary Dragon Lifetime Achievement Award, Chinatown Film Festival<\/b><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2024- <b>Best Documentary Feature, Chinatown Film Festival<\/b> (Big Fight in Little Chinatown) <\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2023- <b>Best Documentary Film, Markham International Film Festival<\/b> (Big Fight in Little Chinatown) <\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2023- <b>Best Documentary Film, Canada China International Film Festival<\/b> (Big Fight in Little Chinatown) <\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2022- <b>Honorable Mention Best Canadian Feature FIlm, Reel Asian<\/b> (Big Fight in Little Chinatown) <\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2022 \u2013 <b>Prix du Public, RIDM<\/b> (Big Fight in Little Chinatown)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2022 \u2013 <b>Women Inmate Jury Award<\/b> (Big Fight in Little Chinatown)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2012 &#8211;\u00a0<em><b><span style=\"font-family: Helvetica;\">World Documentary Award, Whistler Film Festival<\/span><\/b><\/em>\u00a0(Status Quo)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2010-\u00a0<strong><i><span style=\"font-family: Helvetica;\">First Place, Toronto Human Rights Docfest<\/span><\/i><\/strong><em><span style=\"font-family: Helvetica;\">\u00a0<\/span><\/em>(Seeking Refuge)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2009 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Gemini Nomination &#8211; Best Direction in a Documentary Program<\/span><\/i><\/strong><em><span style=\"font-family: Helvetica;\">\u00a0<\/span><\/em>(Seeking Refuge)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2006 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Golden Ribbon Award for Diversity in News and Information Programming<\/span><\/i><\/strong>\u00a0(In the Shadow of Gold Mountain)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2005 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Golden Sheaf Award &#8211; Best Multicultural Documentary, Yorkton Film Festival,<\/span><\/i><\/strong>\u00a0(In the Shadow of Gold Mountain)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2005 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Honourable Mention, Columbus International Film and Video Festival,<\/span><\/i><\/strong><em><span style=\"font-family: Helvetica;\">\u00a0<\/span><\/em>(In the Shadow of Gold Mountain)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2003 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Winner Reel Diversity Competition, NFB,\u00a0<\/span><\/i><\/strong>(In the Shadow of Gold Mountain)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2001 &#8211;\u00a0<em><b><span style=\"font-family: Helvetica;\">Mel Hoppenheim Award<\/span><\/b><\/em>\u00a0(top of graduating class, Concordia University)<\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">2000 &#8211;\u00a0<strong><i><span style=\"font-family: Helvetica;\">Telescene Communications Scolarship<\/span><\/i><\/strong><\/span><\/p>\n<p><span style=\"font-size: 10.0pt; font-family: Helvetica;\">1999 &#8211;\u00a0<strong><span style=\"font-family: Helvetica;\">Kodak Award<\/span><\/strong><\/span><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Karen Cho \u66f9\u5609\u4f26 is a Documentary Writer, Director and Producer known for her social justice films. Her work has explored subjects like the Chinese<a href=\"http:\/\/storyboothmedia.com\/?p=169\">Read More<i class=\"fa fa-long-arrow-right\" aria-hidden=\"true\"><\/i><\/a><\/p>\n","protected":false},"author":1,"featured_media":434,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/169"}],"collection":[{"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=169"}],"version-history":[{"count":10,"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/169\/revisions"}],"predecessor-version":[{"id":437,"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=\/wp\/v2\/posts\/169\/revisions\/437"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=\/wp\/v2\/media\/434"}],"wp:attachment":[{"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=169"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/storyboothmedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}